Marking time is a consistent theme in Ana Bidart’s practice. Through performative drawing, she draws attention to how time is perceived through everyday movements—whether it’s the growth of a stain in a domestic setting, the passage of the sun marking the Earth’s rotation, or other fleeting experiences—registering their progression. Measured and regulated time is present in the sculpture Las vueltas que dimos that refers to the face of a clock whose hands and numbers appear to be falling part from the objects own rolling movement to emphasize contingency.